591 Exhibition - Stanko Abadzic


Spotlight: Stanko Abadzic
One of the great ironies of globalization is that as people become more connected to technology — email, cell phones, Ipods — they often become less connected to one another.
This growing rift in the social fabric has been duly noted by Croatia’s Stanko Abadzic, whose deeply humanistic photographs resonate with wistful regard for a time when people were in tune with each other spiritually and emotionally rather than electronically. This accounts for the seemingly “old- fashioned” aesthetic of his images, many of which, with their geometric composition, sensual atmosphere and telling detail, look as if they could have been made in the 1940s or earlier.

Globalization turns us into passive consumers. It is not interested in our creativity or our individuality. We lose our happiness when we lose our sense of identity.”

Taken during a troubled transitional period in Berlin, the image elegantly evokes a spirit of closeness and cooperation. Yet the modernist juxtaposition of shadow and light — Abadzic’s trademark — balances the mood and prevents the image from tipping over into sentimentality.
Abadzic was born in Vukovar, Croatia in 1952. His father, recognizing Stanko’s susceptibility to the old world charm of this city on the Danube, presented him with a Russian camera on his 15th birthday. Abadzic taught himself the technical basics while refining his vision by attending exhibitions, studying photography books and watching television and films.


Abadzic moved back to his homeland in 2002, settling in the capital city of Zagreb, but retained his Czech residence permit and returns periodically to Prague.
“The mass media bombard us with images of blood and tears,” he states. “It’s high time we showed interest in beauty and aesthetics, not just in wars and catastrophes. I still believe photography can touch people emotionally. I believe a photograph can be a testimony and a document of its time, and that it can inspire us to talk to each other and make a better world.” Excerpts from an essay by © Dean Brierly (you will find the full text on Stanko's website)

It is a great joy for me to have Stanko exhibiting his work on 591. He says that he beleives that "a photograph can inspire us to talk to each other and make a better world". It is a beautiful mission and the photographs are right there before our eyes to prove his statement.
His work appeals to me a lot - reading the excellent essay by Dean Brierly makes me feel like finding a friend out there in modern European history. Stanko's work does not recognize any borders or frontlines, it is universal - telling the story of human beings inhabiting a tormented planet.
There are shadows behind the light - yes, we are aware of that. Stanko Abadzic finds the light behind the shadows and touches the essence of photography as a part of our human existence. - Mr Urbano
All photos © Stanko Abadzic
Stanko Abadzic
Born: 1952
Lives in: Zagreb, Croatia
Recent exhibitions: New York: "Stanko Abadzic Photographs", Bielsko-Biala, Poland: "Out of the shadows", Zagreb: "100 photographs", Tokyo: "Photographs from Croatia", Belgrade: "Prag - Skice za portret grada"
Comments
being at the border of Hungary close to Vukovar in 1991 to report on refugees I understand some of your world closely.
Håkan Strand